A Strange Sound
Sons Of Magdalene
Move to Pain
Played 74 times
Music for the Weekend: A Strange Sound by Sons of Magdalene.
Call me a helpless romantic of the 80s. I was listening to this Sons of Magdalene album (which is not from the 80s) at 6:00am yesterday, looking out the windows of the subway train onto a gray, rainy and awakening Chicago. I was heading downtown to our rehearsal space for Six Angry Women, ready for another three hour session of improvisation and study.
After three weeks of intense one-on-one rehearsal sessions with my six actresses, this Tuesday was the very first time they all met each other for the first time. I’d laid down some ground rules, the most important of which was that they could not tell each other about their characters. I have to admit I was really nervous on my first day of group rehearsals, as I’d never done this approach before. Usually when I go into rehearsals I’ve got fully broken down script, and here all I’ve got are six very real and very vibrant characters.
Honestly I feel like a newborn baby learning to take his first steps. I’m tempering my need to scientifically analyze and trying to create exercises in rehearsal that will get us to the place we need to be. After two sessions, I’m more than happy with the work we’ve done. Our previous three weeks of work has really paid dividends, as I have the luxury of putting six fully-formed characters in any situation, and watch how they react. It’s really empowering for both me and my actors, and at this point it’s my charge to give them very well thought out and clear objectives to explore. That is my next responsibility, which is to fashion the script around these objectives.
I really admire these six ladies for all the extremely hard work and long hours they’ve put in with me to make these characters. They’re all completely different and unique from one another, and they’re all very real. I must admit that this improvisational approach to filmmaking is incredibly exhausting, even more so that just sitting down and writing a full screenplay and storyboarding it out. At least with the latter approach I have certainties, whereas here I’m faced with the unknown every morning. It’s scary but exhilarating, but the energy required to create something new every day and every minute is immense. I have to find ways to relieve the intensity of the process, or else we’re going to get burned out quickly. I have some ideas, and we’ll try them out on our next session this Saturday morning.
My cinematographer flew in last night and we’re already building our visual strategy and blocking patterns. Watching a lot of movies and pulling photo references, just as we did on Lilith, but unlike Lilith we really don’t have a template to build on. We’re building it from scratch. The film is going to be highly stylized but if done right, it the style will never formally announce itself. As everything comes together, it should coalesce into a new vision, a strange sound indeed.
Have a wonderful weekend.